Argos - Werfstraat 13 - 1000 Brussels
15.04.08 - 21.06.08
The group exhibition No Place - like Home: Perspectives on Migration in Europe features eighteen Belgian and international artists. Their videos, photographic works and installations take a closer look at what lies under the surface of the migration issue. Migration is a thing of all ages. Where Europeans once colonized various continents and emigrated en masse to other lands both in and beyond their own continent, movement from the opposite direction has now taken hold. Capital, goods and information circulate freely in the late-capitalist, globalized world economy. For people, however, mobility is arranged somewhat differently. Borders and territories are still the primary expression of national sovereignty, however multiethnic populations may have become. For Europe – which permanently shifts between regulating, even attracting, and then repelling strangers – these are the outer borders, the so-called Schengenland regions. No Place - like Home (mark the dash) investigates how inner and outer space, how 'we' and 'they' maintain complex relations with one another and the frictions this generates. The media, like tourism – a phenomenon that on the Italian island of Lampedusa vacillates with the refugee issue – have little to do with transparency. By way of the varying perceptions of 18 artists whose work focuses on the illegal refugees who are today's modern nomads, this exhibition hopes to help visualize an issue that cannot be summarized in black-and-white contrasts: an interwoven, variegated tale of migration networks and refugee trafficking, cartography and geographical military data, migration management and border infiltrations, international rights, lack of rights and lawlessness.
The fact that European political space is not consistent with European immigration is a subtext in the work of Erzen Shkololli, Yves Mettler, Herman Asselberghs and Thomas Locher, as is the question of what common value systems still mean on this continent from a cultural, historical perspective, once stereotypes are set aside. The paradox of an interior European space that defends its borders versus a world where nothing stops at national frontiers any more is evidenced in the photographic work of Armin Linke. His work draws attention to the most diverse effects of globalisation and serves as a kind of resonance chamber for the exhibition, as does an ironic installation by Pravdoliub Ivanov with some thirty different cooking surfaces and pots. What remains is the individual voice of the migrant, which is generally kept out of the media. Its tone is allegorical for Hans Op de Beeck, a naked testimony in the work of Ursula Biemann and in the participatory documentary, Pour vivre j'ai laisé. In this last project, initiated and directed by Bénédicte Liénard, asylum seekers at the Petit Chateau refugee centre in Brussels take the camera into their own hands in an introspective document that does not lack humor and is made from a non-voluntary, and therefore powerful perspective, in a plea for a world as a place that can still be created by mankind.
Thinking about migration means making a close examination of oneself. With No Place - like Home, Argos lays claim to a trans-national political space. What public space, what identity stands counter to this? What and where is ‘home’? These are questions that will be further investigated in a parallel programme of lectures and video presentations.
Argos
